Bruce Baillie

On Sundays

First film, shot in San Francisco - combination documentary and fantasy, partly portraying a lovely friend, Miss Wong.

"... remembering a potentiality of life which has been overgrown by civilization. ..." - Jung

1960-1961, 16mm, b&w/so, 27.5m, $85

Mr. Hayashi

1961, 16mm, b&w/so, 3m, $20

The Gymnasts

Early work, originally a Canyon Cinemanews.

1961, 16mm, b&w/so, 8m, $25

Have You Thought of Talking to the Director

Made on the north coast of California, in Mendocino ... combining spontaneity and preconception in a film that is essentially a short lesson in feature form. On one level, a portrait of Paul Tulley ....

1962, 16mm, b&w/so, 15m, $45

Here I Am

A never before released early film made for an Oakland school for mentally disturbed children.

1962, 16mm, b&w/so, 11m, $35

A Hurrah For Soldiers

Dedicated to Albert Verbrugghe, whose wife was killed in Katange by UN soldiers, 1963.

1962-1963, 16mm, color/so, 4m, $20

To Parsifal

He who becomes slowly wise.

1963, 16mm, color/so, 16m, $50

Mass For The Dakota Sioux

A film Mass, dedicated to nobility and excellence.

Synopsis: The film begins with a short introduction - "No chance for me to live, Mother, you might as well mourn." Sitting Bull, Hunkpapa Sioux Chief. Applause for a lone figure dying on the street. INTROIT. A long, lightly exposed section composed in the camera. KYRIE. A motorcyclist crossing the San Francisco Bridge accompanied by the sound of Gregorian chant, recorded at the Trappist Monastery in Vina, California. The sounds of the "mass" rise and fall throughout. GLORIA. The sound of a siren and a short sequence of a '33 Cadillac proceeding over the Bay Bridge and disappearing into a tunnel. The final section of the Communion begins with the OFFERTORY in a procession of lights and figures to the second chant. The anonymous figure from the introduction is discovered again, dead on the pavement. The body is consecrated and taken away past an indifferent, isolated people, accompanied by the final chant. The Mass is traditionally a celebration of Life; thus the contradiction between the form of the Mass and the theme of Death. The dedication is to the religious people who were destroyed by the civilization which evolved the Mass.

1963-1964, 16mm, b&w/so, 20m, $60

Quixote

In four parts, one reel.

"More relevant than ever, Bruce Baillie's 'American Symphony' ... released in 1990 via an S-VHS master." - Frankfurter Zettung

"American as conquistador ...." - P. Adams Sitney

"- quixotic filmmaker become the hero of his own film." - S. Frey

One-year journey through the land of incessant progress, researching those sources which have given rise twenty years later to the essential question of survival.

1965, 16mm, b&w/color/so, 45m, $135

Yellow Horse

Cycle scrambles poem. Bass solo by Pat Smith, LA.

1965, 16mm, color/so, 9m, $30

Termination

By "Canyon Cinema Documentary Film Unit" - Tulley, Baillie, etc. Made in Spring, '66 for a small community of Indian people near Laytonville, California.

1966, 16mm, b&w/so, 5m, $20

Show Leader

*Included at no charge for shows devoted to the work of Bruce Baillie, totaling 80 minutes running time or more.

1966, 16mm, b&w/so, 1m, Free*

Still Life

From Morning Star.

1966, 16mm, color/so, 2m, $20

Tung

1966, 16mm, b&w/color/si, 5m, $20

Castro Street

Coming of consciousness.

1966, 16mm, b&w/color/so, 10m, $35

All My Life

Caspar, California, old fence with red roses.

1966, 16mm, color/so, 3m, $20

Valentin de Las Sierras

Song of revolutionary hero, Valentin, sung by Jose Santollo Nasido en Santa Cruz de la Soledad; Chapala, Jalisco, Mexico.

1968, 16mm, color/so, 10m, $30

Quick Billy

The experience of transformation between life and death, death and birth, or rebirth in four reels. ...

1967-1970, 16mm, b&w/color/so, 60m, $135

Roslyn Romance (Is It Really True?)

My ROMANCE is intended for something like "broadcast" form, or like a correspondence ... not so much for showing a big batch of it at one sitting. Eventually it should be in both film and videotape form.

The Introduction, Intro. I & II, is finished now. I will send rolls from time to time and hope one of these days to put the rest of it in shape for you to see. Meanwhile, I'll be continuing to record the ROMANCE wherever I am.

The work seems to be a sort of manual, concerning all the stuff of the cycle of life, from the most detailed mundanery to ... God knows.

1974, 16mm, color/so, 17m, $60

Pieta

Made for the Viennale Film Festival.

1998, 35mm, color/so, 2m, $20